All throughout the bible, it states that “your body is a temple.” Regardless of your religious feelings on this, you have to admit that we all do take our bodies very seriously. Have you ever spend 10 minutes staring into a mirror trying to fix your hair or hide of a pimple? The thought of even something very small being wrong with our personal temple is upsetting. And it’s disturbing to watch bad things happen to others’ bodies as well. There’s a whole genre of horror movies out there called Body Horror dedicated to this very idea.
When you think about it, it’s all very relatable. It’s one of the few things we all have in common- the human body. When you watch something happen to someone else, it’s easy to put yourself in that situation. Body horror movies focus on the details of destruction of the human body. David Cronenberg’s 1986 The Fly is a body horror masterpiece depicting the slow, graphic mutation and decay of a man’s body after being spliced with fly DNA.
The film opens with Seth Brundle (Jeff Goldblum) being awesome and trying to pick up/show off to Veronica (Gina Davis). He’s a scientist; She’s a reporter doing interviews at a university meet-and-greet party with the press. For some reason, she gets in the car with CREEPY-ASS JEFF GOLDBLUM and goes to his apartment/lab to see some mysterious new invention that’s supposed to change the world: a teleportation pod. Only problem is that it only transports inanimate objects. When they try to use it on a living baboon, the thing comes out looking like Omaha beach right after the first scene of Saving Private Ryan. Don’t worry. After a post-coital eureka moment and a couple of keystrokes on his Apple 2, the machine works perfectly. Baboon #2 comes out unharmed.
Seth and Veronica have struck up a nice little romance/business arrangement where she’ll document the development of his experiments and give him BJs and stuff in exchange for exclusive reporting rights. After a dispute one night, Veronica runs off and Seth gets drunk tries the machine out on himself. It works fine, except for the fact that a fly buzzed into the pod with him and the machine has spliced their DNA together. At first everything is great. Seth is smarter, stronger, more energetic, but this starts to fade into a sort of mania as the fly personality begins to take over.
Then we start to see his body changing. Fingernails falling off, teeth coming out, skin getting blotchy and peeling off. Basically puberty from Hell. Each time we see him he gets more and more disfigured. He can’t eat food normally anymore- he has to puke up this milky acid and melt his food and then slurp it back up. The whole thing is pretty revolting. Veronica is surprisingly cool through the whole ordeal and tries to help him out, but becomes clear that her BA in journalism is not going to cut it.
Not only is The Fly a great horror movie, but it’s just a great movie in general. It’s not overly complicated (it’s based on a short story). We really just have a short list of characters, whom we get to know very well. Jeff Goldblum as the half-man half-fly mad scientist monster is pretty much the best casting I’ve seen since Jack Nicholson in Cuckoo’s Nest. And they used all practical effects and makeup to create this bloody monstrosity that Jeff Goldblum will become. If you’re interested in seeing a step-by-step progression of his deterioration. I found a great pic. It’s pretty spoileriffic, so if you haven’t seen the film, don’t click:
- Is it scary? 6 – Watching this guy literally rot alive in front of your eyes is bound to terrify you. You can almost feel it happening to you.
- Originality: 5 – Well it’s a movie based on a short story for which there was already a movie made in the 50’s. I can’t give them big points here but they definitely made it feel new and unique.
- Blood: 7 – By the end Jeff Goldblum has no skin and he’s just a pulsating mess of guts and hair and two giant eyeballs.
- Believability: 7 – I thought it was very believable. The plot was simple enough, the casting, directing and acting were right on. The only thing I’ll say is that Gina Davis’ character should have been a little more freaked out.
- Setting/Cinematography: 7 – Jeff Goldblum’s house/lab in a warehouse is the perfect mad scientist lair. They do some cool walking on walls and ceiling shots too.
Final Score: 32/50